Republic of Korea (Romanization according to McCune-Reischaure norms)


Special Mention
21
Sin, Tong-jun
(text/illus.)

Chihach
ol un tallyo onda  (The underground train arrives)
Seoul : Ch obang, 2003. – [32] p.
ISBN 89-90614-10-4

Seoul – Underground – Train station 

People who want to take an underground train, simply walk down the stairs to the station, buy a ticket, pass the gate, and wait for their train on the platform. Many different people travel by underground and the scenes are usually alike in all the big cities. In this book, Sin Tong-jun uses a very original, direct, and attractive collage-technique to illustrate the hustle and bustle at the underground stations in Seoul, the capital of the Republic of Korea. The various passengers look so alive that the reader almost seems to hear them talking. The stations, tunnels, bridges, the river, and the view of the city are shown elaborately, with several pictograms, train schedules, and Korean, Chinese, and Latin characters ingeniously woven into the pictures. This lively, graphically designed picture book is an excellent inspiration for children to develop their own creativity. (4+)



22
Yi, Hy
4n-sun (text)
Ch'oe,
Un-mi (illus.)
Sim Ch'ong ka (Shimchong’s song) 
Seoul : Ch obang, 2003. – [32] p. + 1 CD

ISBN 89-90614-05-8. - 89-90614-03-1

Folk tale – Daughter – Father – Self-sacrifice – Miraculous cure – Music – Theatre

Shimchong believes that only an offering in the temple can cure her father of his blindness. Since she is very poor, she sells her life to some sailors who sacrifice young girls to placate the sea. The sea-king, however, spares her life and eventually, her father can see again. This folk tale about a virtuous girl is created in the 400-year-old Korean performance art of P’ansori, in which only one person speaks and sings in alternation with a drummer. The characters in this book, borrowed from the traditional Korean mask-dance, act in stylised poses without a background. Just like a P’ansori singer who fills the stage with his performance alone, the figures fill the large-format pages of this book. (4+)
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